I haven’t been watching football on Sundays this year.
I have been shooting aspiring models and friends though.
I haven’t been watching football on Sundays this year.
I have been shooting aspiring models and friends though.
There were no 100 degree days this summer.
I’m not saying global warming is wrong, but back in the 90’s I recall consecutive summers in Baltimore and Georgia where the thermometer read 100 degrees or above.
The current/past summer was muggy yes. Hot? Not really to me.
I switched companies that I shoot sports for. (If you want to know to whom I switched check my Facebook page or something) Shooting sports is fun but the money is drying up pretty quickly. Fewer and fewer parents are willing to buy prints of their kid once he or she (the parent) leaves an event, and those photo tents you see at tournaments aren’t as lucrative as they once may have been. Couple that with newspapers and magazines dying slowly, and there really isn’t a major demand for sports photos. I see parents and high school students with semi-pro gear on the sidelines now all the time. They may not have the passion and skill to produce high level sports compositions, but that camera and lens they now hold represents the money they would have spent on professional photos perhaps…..
Sports are in full swing though. I’m booked to shoot every weekday afternoon (after my main job) up till probably the first week of November. I’m also shooting models now until kingdom come, and will probably miss many Sundays in front of the tube watching the Redzone channel because of it. Sundays are great to shoot models for that reason however. It’s a dead day in the city for foot traffic and that’s a perfect environment to shoot in….
MICROSTRUGGLER is nearly a year old. I mainly like to shoot women and that’s what this blog will be about moving forward: photos and women…..
Model on Instagram is @myrlanis_
She only accepts followers who follow me first….
My IG is @rickyray73
Tee shirt available here.
I like this little camera. Model Ana Rivera ain’t bad either.
So it has been 6 months since the Fuji X100F debuted and I of course purchased the first one sold in my city of Baltimore. In fact, I have yet to see another X100F in Baltimore, but I digress. Since I bought the camera I’ve shot ~5000 photos and spent untold lunch breaks going through the menus. I’ve shot sports sidelines, pretty models, and I’ve shot and killed streets. I’ve hooked up an external flash, more on that later, and have fallen in love with using the LCD only to shoot.
WHAT I LOVE
I started out with this camera thinking I could shoot jpegs using those cute film simulation modes. I really tried to make it work too. My favorite one is ACROS (followed by Classic Chrome). I used ACROS a lot. I knew though, that sometimes I needed to record a scene in color so I quickly started shooting RAW + Jpegs to my card, which slows my Lightroom flow down, but it was manageable. Then, at some point, I downloaded the fuji film simulation plugins from some damn place on the internet and installed it in Lightroom. That way I could change a Fuji (only Fuji) RAW file to the Classic Chrome look if I wanted, or whatever. After a while I figured there really is no fucking difference between the in-camera jpeg film simulations and the Lightroom plugin camera conversions, AND I noticed that Fuji RAW files have a shit ton of dynamic range. I shoot all RAW now. Fuck it. Those in-camera film simulation modes are too cute for me…
I never understood or cared about having a leaf shutter until I started shooting sidelines at sporting events. I normally shoot 1/1000 F5.6 and auto ISO range 200-800 during the day for streets. When I’m shooting events I turn on the built-in fill flash just for shits and giggles. This is when I discovered that I could overpower the sun and create these hauntingly half dark images. I continued this trend later shooting models using an external flash….
The image quality beats the unholy fuck out of my Canon 5d Mark III, even when the DSLR is coupled with the world class 70-200 2.8 IS II lens. This little Fuji point-and-shoot compact beats it handily as far as micro contrast and sharpness is concerned. RAW to RAW the Fuji wins handily when it comes to dynamic range for both shadow pulling AND highlight recovery. Colors are more of a taste thing, but I find Fuji colors to be more accurate than Canon, even though Canon’s colors are warm and lovely.
The face detection works reasonably well, and it will even detect a models eye (left or right depending on your chosen setting) when it feels like it.
This is most likely the finest street photography camera ever made.
Models and subjects smile at this camera, as opposed to my big ass Canon which makes folks get all serious or run away.
THINGS I HATE
The afl/ael button is useless and positioned horribly. I have reassigned it to change my focus type.
The control ring concept is so horrid that I try my best to never touch the lens unless I’m changing apertures.
What the fuck is up with Fuji and off camera flash? Nothing works right. I can get my Canon (actually a Pixel Mago) flash to fire in manual using a chord that I have to jiggle and pray to get it to work. When it works the results are good though. I’m getting the X-T2 and some lenses soon as well as this new Godox flash trigger and flash unit that’s supposed to work with Fuji TTL and HSS and do it all wireless. We shall see…
I hate the view mode button. God forbid you ever hit that bitch by accident and spend an hour thinking your camera is malfunctioning. Perhaps I’m just an idiot but still….
This camera is a nice intro into the Fuji universe and also has a leaf shutter. That’s the deal. The jpegs are good but overrated. The RAW files are superb. It’s compact yet made of steel. It’s sharp as fuck. It’s silent. The autofocus is good in single shot mode. If you’re a street photographer this camera is superior to almost any camera you can buy besides a manual focus Leica and maybe my beloved Leica Q. None of those cameras have a fill flash though. This one does….
Exit. Please like and subscribe.
Tee shirt available at: https://www.amazon.com/dp/B073X8L6WS
Model: Ana Rivera @myrlanis_ on Instagram.
This summer, for some reason that goes beyond me being an old shut-in, has been boring.
I’ve ridden my motorcycle as much as makes sense given the Seattle-like climate that seems to hang over the mid-Atlantic region each summer. Still, there is no place to ride. Nothing is happening. I can’t ride to go shopping. I need a trunk for that. Shopping isn’t really fun unless you’re rich or maniacal anyhow….
I have an advertising shoot with a young Puerto-Rican model for my line of T-Shirts coming up next weekend. I’ll keep you posted on that. Still, even though I love taking photos, it’s work. It’s not guilty, ignorant fun. I want THAT. The ignorant shit.
I’m getting old. My romantic engine is showing it’s age and struggles to get started most days. My sufferance of fools and friends is at an all time low. Despite this, my overall temperament feels jovial. I’m not brooding.
I need activities. I’ve taken some pretty neat photos this summer. A handful of winners maybe, but thats all that can be expected. My X100F remains a solid choice of mine. It’s the greatest street photography camera of all time perhaps.
As I’m trying to transition into being a full-time photographer and do it MY WAY, I find myself treading water most months financially. A monetary breakthrough would be nice. With my checkered past, age, and tendency to be self reliant we shall see….
The more I carry a camera around the streets, the more I realize that some people think it's weird that I'm carrying a camera around on the streets.
It's not my fault really. My little Fuji X100F is small enough to not intimidate folks. The true reason carrying a camera in the streets seems weird is because it is implied that every person ALREADY has a camera on them in their iPhones.
Of course the quality of an iPhone image is not on true par with a raw file from my Fuji or my Canon bodies, but that's where the disconnect happens for most folks. Many people are completely satisfied with their cell phone cameras and, unless they are a parent photographing youth sports, they feel no need to use a bulky old school traditional or post modern traditional style camera. Thus, an old man walking through the streets with a camera around his neck looks stereotypical and creepy to many millennials. Oh well.
Keeping my camera at my side helps me to avoid that "are you a creep?" glare from folks. Looks more professional that way anyhow. In the winter I can stick the Fuji in my jacket pocket. It's all about stealth out there and if people are long-spotting you and they know you're creepy their guard goes up and you lose the ability to capture a true candid. Strategy….
Do you dangle your camera around your neck? Let me know in the comments below.
This summer has been very hot and muggy. Blame global warming I guess, but if I’m going that far I may as well blame the sun while I’m at it…..
I’m gearing up to accept a second sports photography gig for the school year. Here goes….
I’ve been shooting street, working full time hours at my day job, and launching a few other business ventures. I’ve also resumed investing in my potential retirement. Here goes….
Single again. Here goes…..
Summer means scooting around on my Harley. I’ve been doing that a lot. If I wasn’t so busy maybe I’d combine my rides with street shooting….
The next big purchase for me is the Canon 1dx II. Then after that I’ll try to get the 300mm 2.8 IS II…..
Besides that shit is real. Keep banging….
Here is a list of 10 random things I like ❤️ love about my Fujifilm X100F…
🔘 The X100F autofocus is accurate and fast. I was worried it might be a bit sluggish when compared to the Panasonic/Leica Q. No worry needed though. It’s zippy fast!
🔘 The X100F is quite useful to me for sideline shots when I shoot sports. So useful in fact that I prefer using it over having a standard two DSLR setup. No need for a 35mm lens on my 5D mark III when my X100F has a great 35mm equivalent lens and a filler flash to boot!
🔘 I love having analog style dials for my ISO, exposure compensation, aperture, and shutter speed. It beats having to dig through menus in my humble opinion.
🔘 The 35mm 2.0 lens itself is pretty sharp to my eyes, even wide open. RAW files are particularly awesome.
🔘 The ACROS film simulation mode (jpeg only) is maybe the best thing about the camera to me. You can shoot almost anything in ACROS and it looks surreal and historic.
🔘 The flash is useful in a pinch. I use it a lot for sideline shots as I mentioned earlier.
🔘 I almost exclusively use the EVF. It’s so good that my original reason for buying this camera, it having an optional OVF, is a non-issue.
🔘 The camera fits in my pocket and is extremely portable. It’s also so light that I can scarcely feel it dangling around my neckbone.
🔘 The Fuji X100F is 100% silent when the shutter volume is turned off. Dead ass quiet.
🔘 Lastly the little focus knob is swell. It works about as good as the ones on the pro DSLR’s I’ve had the fortune of using.
Thinking of purchasing this camera? Don’t do it! Lol. I want to keep all this bananas awesomeness for myself.
Please support me by buying my classic street-fiction novel available here.
Instagram has started shadowbanning people.
Don’t know what shadowbanning is? Google it. The thumbnail sketch goes like this: Instagram makes you think people are seeing your post when you use hashtags, and when you check the hashtags yourself your post is visible, but others cannot see your post when they search for that hashtag.
Instagram is mind-fucking you. They want you to think your post and hashtags are reaching new users, but in fact only your followers can see your post.
That’s some dastardly shit.
Reportedly, other social media outlets shadowban users. Twitter has been allegedly doing it for years. My issue with it is just one of disappointment. Sure, Instagram is free and the owners can do whatever they like, but it’s just that I’m running out of ideas of how and where to share my street photos online and potentially be exposed to folks I don’t already know in the process. Should any of this matter to me on a personal or even a professional level? Nah. Still, it’s fun to share photos and gain followers and get likes and all. People may hate on the idea in principle but who cares if an activity is important or not if that activity is fun? Everything a photographer does doesn’t have to be part of some Machiavellian scheme for world photographic dominance. It’s perfectly fine to get a kick out of people “liking” your photos, even if folks generally like “everything” and aren’t really interacting with your portfolio.
I don’t understand Snapchat at all for the record….
At any rate, Flickr seems to filled with foreigners and old people. Facebook is over-saturated. Twitter is for famous people and to find out if somebody is really dead. Instagram has started shadowbanning users. Great. Just fucking great. I am in the streets shooting, interacting with people every day. It would be nice if it didn’t end there. It would be nice if there were some allowable enjoyment to be had via street photography besides the act of taking the photos themselves…..
I care about street photography and sharing is caring. We shouldn’t all have to be like Vivian Meyer and have our entire portfolio discovered after we are long dead….
Why don’t photographers have unions?
I get it: photographers are not thought to be as “important” as electricians or bricklayers, nor are they generally thought to be as valuable as teachers or meat cutters, but has anyone ever attempted to organize photographers into anything more than an elitist collective like Magnum?
My thoughts on this are as follows: most photographers are petty and despise the work and success of their contemporaries. It’s pretty hard to organize into a brotherhood when you think that way. You cannot be petty and small-minded if you want to unionize. It would be nice to, for example, have standard levels of apprentice, journeyman and master photographer, and to have wage scales commensurate with said levels. This would make shooting for a major publication a straightforward process financially speaking, and may add clarity as to what an apprentice should charge to shoot a wedding as opposed to a journeyman.
Let me pause and say that I’m a political moderate AKA a registered independent. I’m not typically the guy who has strong opinions about labor unions. There are all sorts of counter-argumentative things to consider when organizing a photographic union, and price undercutting and scab behavior would be rampant, but this is just a thought exercise, not a proposal….
Actors and screenwriters have unions, so it’s not like you have to just build or fix or teach something in order to unionize. There can be artists (if we are indeed artists) who form unions. Many photographers would be utterly terrified of being blacklisted or denied work, but I also think many of us on the street photography side would consider joining such a union. Street photographers don’t get paid anyhow and most of us earn a living through conventional jobs. It’s the wedding, portrait, sports, magazine and commercial shooters who would bitch up and cross hypothetical picket lines in all likelihood. I understand that we all have families to feed, but a union would be beneficial to all of us in the long run and provide a much needed hierarchy and eventually structured payment to the whole genre. Of course, as I said earlier, most photographers seem resentful and jealous of other, more accomplished photographers. That is unfortunate and is part of the reason, along with affordable amateurism, that the whole of the photographic profession is drying up money-wise….
This is no micro-struggle. This is real shit that I’d love Peta-Pixel or one of the big dog blogs to address. We are dying and we need to band together in order to survive. Of course I could be wrong for caring about this, being that nobody else seems to….