I’m not saying global warming is wrong, but back in the 90’s I recall consecutive summers in Baltimore and Georgia where the thermometer read 100 degrees or above.
The current/past summer was muggy yes. Hot? Not really to me.
I switched companies that I shoot sports for. (If you want to know to whom I switched check my Facebook page or something) Shooting sports is fun but the money is drying up pretty quickly. Fewer and fewer parents are willing to buy prints of their kid once he or she (the parent) leaves an event, and those photo tents you see at tournaments aren’t as lucrative as they once may have been. Couple that with newspapers and magazines dying slowly, and there really isn’t a major demand for sports photos. I see parents and high school students with semi-pro gear on the sidelines now all the time. They may not have the passion and skill to produce high level sports compositions, but that camera and lens they now hold represents the money they would have spent on professional photos perhaps…..
Sports are in full swing though. I’m booked to shoot every weekday afternoon (after my main job) up till probably the first week of November. I’m also shooting models now until kingdom come, and will probably miss many Sundays in front of the tube watching the Redzone channel because of it. Sundays are great to shoot models for that reason however. It’s a dead day in the city for foot traffic and that’s a perfect environment to shoot in….
MICROSTRUGGLER is nearly a year old. I mainly like to shoot women and that’s what this blog will be about moving forward: photos and women…..
I walk up to a pretty lady. In my hand is a $3000 DSLR with a $1500 lens attached. I raise the camera, smiling the whole while, and begin to focus….
This is the moment of truth. Sometimes the subject poses and smiles. Normally when this happens I’m so shocked that I screw up some part of the exposure triangle trying to make the photo perfect, and curse myself when I check the view screen after she walks away. Sometimes they let me do my thing. “Just go on with it” their eyes say. They don’t slow their pace or give me more than a soft smile, however. They see what I’m doing and have decided that it is harmless.
As you can imagine, some women reject the idea of having their photo taken in public. They wont cause any sort of scene or say anything mean to me, but will instead wrinkle their noses, raise their hands over their faces, or scowl looking straight forward into space. Or all 3……
In other words they reject me.
I know I seem to be trending towards “ridiculously dramatic” with the above statement. I counter that notion, of me being dramatic, by offering the following scenario: What if I were Brad Pitt circa 1998 holding a camera walking around, and I mean actually Brad, not just some guy who looks that famously handsome??? If I were Brad Pitt I wonder if any woman would ever reject my photo request. I imagine they would happily stop and take at least 7 seconds to smile for a photo, instead of seeing me holding 5 grand worth of camera gear and deciding: NO!!!
That’s why I think it’s me. Being a perpetually single guy, I have opposite sex PTSD that is hard-wired to rejection and dating. I’m also an aggressive lad, some would say, and typically aggressive lads receive many rejection letters as a result of that aggression. I suppose I’m more used to rejection than most fellas. It still stings though. Every time I ask for that photo it’s like I’m 15 years old asking a pretty girl to the sophomore ring dance. If she says yes I’m far too excited. If she says no I’m far too defeated.
As I said before Street Photography is about balance. In reality all I’m doing is snapping a photo. In reality she is NOT Kim Kardashian and I’m not the paparazzi, despite how deludedly healthy her self-image might be. In reality she isn’t rejecting me as much as she is rejecting the idea of me suddenly and suspiciously taking her photo without asking. In reality she feels she controls her image and likeness as captured in public, even though the law disagrees strongly unless the image is used for business purposes. Native Americans once believed that a photo steals a portion of the soul. I think there is an instinctive belief similar to this in many people. I also believe that on some level, people just like saying NO whenever possible.
Welcome to street photography. Welcome to the art of acceptance or rejection. By engaging in classic street photographic behavior, you are setting yourself up for rejection. To avoid being rejected I have started to use a makeshift zone focus technique, where I set the aperture between f7.1 and f11 and shoot from the waist. At those apertures most things will be in focus anyway. Using this method I sometimes get a reaction like: “Did he just take my picture?” but my shutter was in silent mode and the camera never went up to my eye so there is no stank face or eye rolling from the subject. They have no idea what just happened. I win! I beat rejection! I overcame yet another micro-struggle, even though I did it by cheating. 🙂