WHAT IVE BEEN DOING ON SUNDAYS II

I haven’t been watching football on Sundays this year.

Why?

Who knows?

I have been shooting aspiring models and friends though.

 

FUJI X100F – 6 Month Review

Enter.

I like this little camera. Model Ana Rivera ain’t bad either.

So it has been 6 months since the Fuji X100F debuted and I of course purchased the first one sold in my city of Baltimore. In fact, I have yet to see another X100F in Baltimore, but I digress. Since I bought the camera I’ve shot ~5000 photos and spent untold lunch breaks going through the menus. I’ve shot sports sidelines, pretty models, and I’ve shot and killed streets. I’ve hooked up an external flash, more on that later, and have fallen in love with using the LCD only to shoot.

WHAT I LOVE

I started out with this camera thinking I could shoot jpegs using those cute film simulation modes. I really tried to make it work too. My favorite one is ACROS (followed by Classic Chrome). I used ACROS a lot. I knew though, that sometimes I needed to record a scene in color so I quickly started shooting RAW + Jpegs to my card, which slows my Lightroom flow down, but it was manageable. Then, at some point, I downloaded the fuji film simulation plugins from some damn place on the internet and installed it in Lightroom. That way I could change a Fuji (only Fuji) RAW file to the Classic Chrome look if I wanted, or whatever. After a while I figured there really is no fucking difference between the in-camera jpeg film simulations and the Lightroom plugin camera conversions, AND I noticed that Fuji RAW files have a shit ton of dynamic range. I shoot all RAW now. Fuck it. Those in-camera film simulation modes are too cute for me…

I never understood or cared about having a leaf shutter until I started shooting sidelines at sporting events. I normally shoot 1/1000 F5.6 and auto ISO range 200-800 during the day for streets. When I’m shooting events I turn on the built-in fill flash just for shits and giggles. This is when I discovered that I could overpower the sun and create these hauntingly half dark images. I continued this trend later shooting models using an external flash….

The image quality beats the unholy fuck out of my Canon 5d Mark III, even when the DSLR is coupled with the world class 70-200 2.8 IS II lens. This little Fuji point-and-shoot compact beats it handily as far as micro contrast and sharpness is concerned. RAW to RAW the Fuji wins handily when it comes to dynamic range for both shadow pulling AND highlight recovery. Colors are more of a taste thing, but I find Fuji colors to be more accurate than Canon, even though Canon’s colors are warm and lovely.

The face detection works reasonably well, and it will even detect a models eye (left or right depending on your chosen setting) when it feels like it.

 

This is most likely the finest street photography camera ever made.

Models and subjects smile at this camera, as opposed to my big ass Canon which makes folks get all serious or run away.

THINGS I HATE

The afl/ael button is useless and positioned horribly. I have reassigned it to change my focus type.

The control ring concept is so horrid that I try my best to never touch the lens unless I’m changing apertures.

What the fuck is up with Fuji and off camera flash? Nothing works right. I can get my Canon (actually a Pixel Mago) flash to fire in manual using a chord that I have to jiggle and pray to get it to work. When it works the results are good though. I’m getting the X-T2 and some lenses soon as well as this new Godox flash trigger and flash unit that’s supposed to work with Fuji TTL and HSS and do it all wireless. We shall see…

I hate the view mode button. God forbid you ever hit that bitch by accident and spend an hour thinking your camera is malfunctioning. Perhaps I’m just an idiot but still….

FINAL THOUGHTS

This camera is a nice intro into the Fuji universe and also has a leaf shutter. That’s the deal. The jpegs are good but overrated. The RAW files are superb. It’s compact yet made of steel. It’s sharp as fuck. It’s silent. The autofocus is good in single shot mode. If you’re a street photographer this camera is superior to almost any camera you can buy besides a manual focus Leica and maybe my beloved Leica Q. None of those cameras have a fill flash though. This one does….

Exit. Please like and subscribe.

Tee shirt available at: https://www.amazon.com/dp/B073X8L6WS

Model: Ana Rivera @myrlanis_ on Instagram.

The 2017 Summer Has Been Boring AF

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This summer, for some reason that goes beyond me being an old shut-in, has been boring.

I’ve ridden my motorcycle as much as makes sense given the Seattle-like climate that seems to hang over the mid-Atlantic region each summer. Still, there is no place to ride. Nothing is happening. I can’t ride to go shopping. I need a trunk for that. Shopping isn’t really fun unless you’re rich or maniacal anyhow….

I have an advertising shoot with a young Puerto-Rican model for my line of T-Shirts coming up next weekend. I’ll keep you posted on that. Still, even though I love taking photos, it’s work. It’s not guilty, ignorant fun. I want THAT. The ignorant shit.

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I’m getting old. My romantic engine is showing it’s age and struggles to get started most days. My sufferance of fools and friends is at an all time low. Despite this, my overall temperament feels jovial. I’m not brooding.

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I need activities. I’ve taken some pretty neat photos this summer. A handful of winners maybe, but thats all that can be expected. My X100F remains a solid choice of mine. It’s the greatest street photography camera of all time perhaps.

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As I’m trying to transition into being a full-time photographer and do it MY WAY, I find myself treading water most months financially. A monetary breakthrough would be nice. With my checkered past, age, and tendency to be self reliant we shall see….

Exit.

 

Muggy Summer

This summer has been very hot and muggy. Blame global warming I guess, but if I’m going that far I may as well blame the sun while I’m at it…..

I’m gearing up to accept a second sports photography gig for the school year. Here goes….

I’ve been shooting street, working full time hours at my day job, and launching a few other business ventures. I’ve also resumed investing in my potential retirement. Here goes….

Single again. Here goes…..

Summer means scooting around on my Harley. I’ve been doing that a lot. If I wasn’t so busy maybe I’d combine my rides with street shooting….

The next big purchase for me is the Canon 1dx II. Then after that I’ll try to get the 300mm 2.8 IS II…..

Besides that shit is real. Keep banging….

Exit.

Stock Tips Needed (The Photography sort…)

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Being a blogger, I am well aware of the need for stock photography. Not that I need stock photos for what I do, I normally use my own self-taken photos, but I can see how non-photographers might be in a tight spot without access to stock photos. As for myself and my eternal desire to earn more green fabrics, I am contemplating shooting stock photos and posting them to one of the sites that play middle-man between we shooters and potential buyers. My main question is: do people still make money doing this?

Oversaturation has smashed almost every online money scheme imaginable. Do you want to sell sneakers? If you do then be prepared to compete with hundreds of already established sneaker sites doing the same. Do you want to sell arts and crafts? ETSY.com has thousands upon thousands of folks already selling all types of shit, with mixed to poor fiscal results on average. Even more involved processes such as app development have ferocious online competition. This is especially true for modern photography as a whole, including stock photography, the competition part. There are millions of stock photos already available online with thousands being added each hour. For every person reportedly making 50k annually on GettyImages there are thousands of poor guys and gals earning somewhere in the neighborhood of 7 bucks a month or less on some lesser site. It’s savage out there…

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Still, something about the prospect of passive income has always attracted me. I am paranoid monetarily and only feel secure when I am able to earn a living from multiple streams of cash. I do not like to load all of my income eggs into one basket, so to speak. Thus, even though I’m not terribly excited about the prospect of uploading 10k images on istockphoto, I would appreciate say…. an extra 200 bucks per month or so, especially if I didn’t have to book clients, drive to and shoot sports, or deal with diva models. I could make a lot more of course if I am lucky and good, but I’m trying to be bearish here.

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Do any of you folks shoot stock? A Facebook chum of mine shoots stock for Getty and she claims to be doing nicely. She even earned enough to buy the mirrorless Hasselblad X1D and a 45mm lens (around 12k worth of gear). Nothing beats a good try right? I’d appreciate some good stock tips here…..

Exit.

Where is the Money?

Money is vanishing.

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In photography, the money is drying up. It is happening in every photographic genre.

Street photography never paid shit so lets just clear that up firstly. I’m not delusional here. I know that shooting candid photos of people having brunch at a hipster cafe in Denver isn’t the roadmap to making 200k per year….

Wedding photography is changing however, and that genre is one of the holy trinity of cash cows in photography (the other two being photojournalism and portraiture).

Firstly, I blame Canon and Nikon. They have been engaged in a nuclear war for quite some time, and the fallout has been nothing less than the annihilation of the wedding photography market. Both camera and lens makers have been churning out high quality entry-level (consumer) DSLR’s for over a decade and a half, and have placed them at a price point that tempts a casual shopper into trying his or her hand at photography. This in turn leads to casual shooters who realize early on that they can make money from these high resolution images they are taking. Unfortunately, the nubile shooters don’t have much skill, but most of them are not foolish enough to ignore this fact. To compensate they may charge bargain basement prices to shoot a wedding, as low as $250 or even lower, as opposed to the $5000 a reputable and seasoned wedding photographer charges on average. Thats a huge fucking disparity.

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It would seem logical that the seasoned photographer’s photos would be qualitatively better than the nubile photographer’s collection and this is indeed the case. The problem is the photos aren’t $4500 better normally, at least not to the casual observer. This is blatantly obvious to price-conscious brides when viewing competing wedding portfolios, and will influence her decision. Thus the bride, not wanting to have a tacky amateur photographer but also not wanting to be financially raped, will settle on a happy medium: a photographer who charges between $1000-$2500 dollars. No problem right? Wrong.

People have mortgages, car payments, gambling habits and all sorts of fuckery to support with their photography. There are only a precious few brides getting married per year in a given community so the competition is horribly fierce EVERYWHERE. This will drag that $1000 down to $750 when an “early booking discount” is factored in or whatever. What follows is a buyers market, where brides have shooters tripping over themselves to book a wedding, as opposed to a sellers market where brides pay no less than premium for the services of very competent artists.

Photojournalism is dying because the print media is dead. Not really much to say about that. Sports Illustrated fired their ENTIRE staff of photographers a few years back, and then fired the department that fired the photographers a year later. Nuff fucking said….

The portrait market suffers from nearly the same woes as the wedding photography market. There are a lot of amateurs with capable gear who undercut the shit out of the masters of light…..

Of course cell phones getting better and better doesn’t help pro photographers earn more money….

Where is the money then? I shoot sports but basically the clients are parents who want to buy photos of little Davon or Tyler playing football and soccer in high school. I see more and more Canon 6D’s with 70-200 2.8 lenses on the sidelines these days, as moms have decided that its cheaper in the long run to invest in gear than to spend hours combing through photos only to buy one or two per season. Also, taking photos is fun so there’s that……

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Stock photography doesn’t pay a lot unless you go all-in. If anybody makes a shit ton of cash from that then comment below please.

Selling fine art prints is…… some bullshit unless you can maintain the “mysterious artist” persona constantly. I am indeed a mysterious fucking artist but I’m too lazy to try to sell prints of my shit. That could change though…..

If you’re making good money let me know what you do……

Exit.

 

Street Photography is Paperless

Ain’t no money in this thing here bruh.

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Street photography isn’t a genre where you’re going to work your way up to being rich. Nope. You wont make ANY money shooting street photography. None. You wont sell a single print. You wont book a single magazine gig. Nothing. The best you’ll do is host seminars and become famous for those seminars. You can blog about it, like I’m doing, and maybe eventually it will segue into other genres of photography that actually pay. Otherwise, this is art in the purest sense. You shoot the streets because you love shooting the streets. If you are in it for any other reason then you are lost.

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With that being said, street photography is a fine beginners genre. You will learn a lot of useful skills. Mainly, you will learn to shoot moving subjects. This is valuable if you end up shooting sports or weddings or other types of live events. You also will learn your camera and how to adjust it to suit the scene in front of you. The street is not the studio, and the light is generated by God and not an Einstein strobe. As the natural light changes or vanishes, your settings must change also, so you’ll become a master at that. In addition to learning your camera, you’ll also develop a steady hand as you combat camera shake with your non-stabilized 24mm to 50mm prime lens, and you’ll learn a lot about photo editing, which is no less than half of the photographic process.

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You can dream as big as you want, and there are no hard-and-fast rules as to what can and cannot happen in your career, but if you’re looking to get rich off street photography, look elsewhere. Street photography is a labor of love, and the best you can expect is a ton of Instagram followers and perhaps some proceeds from awards you may win when you enter contests. Other than that you know the drill: Stay low and keep shooting!

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