The more I carry a camera around the streets, the more I realize that some people think it's weird that I'm carrying a camera around on the streets.
It's not my fault really. My little Fuji X100F is small enough to not intimidate folks. The true reason carrying a camera in the streets seems weird is because it is implied that every person ALREADY has a camera on them in their iPhones.
Of course the quality of an iPhone image is not on true par with a raw file from my Fuji or my Canon bodies, but that's where the disconnect happens for most folks. Many people are completely satisfied with their cell phone cameras and, unless they are a parent photographing youth sports, they feel no need to use a bulky old school traditional or post modern traditional style camera. Thus, an old man walking through the streets with a camera around his neck looks stereotypical and creepy to many millennials. Oh well.
Keeping my camera at my side helps me to avoid that "are you a creep?" glare from folks. Looks more professional that way anyhow. In the winter I can stick the Fuji in my jacket pocket. It's all about stealth out there and if people are long-spotting you and they know you're creepy their guard goes up and you lose the ability to capture a true candid. Strategy….
Do you dangle your camera around your neck? Let me know in the comments below.
Here is a list of 10 random things I like ❤️ love about my Fujifilm X100F…
🔘 The X100F autofocus is accurate and fast. I was worried it might be a bit sluggish when compared to the Panasonic/Leica Q. No worry needed though. It’s zippy fast!
🔘 The X100F is quite useful to me for sideline shots when I shoot sports. So useful in fact that I prefer using it over having a standard two DSLR setup. No need for a 35mm lens on my 5D mark III when my X100F has a great 35mm equivalent lens and a filler flash to boot!
🔘 I love having analog style dials for my ISO, exposure compensation, aperture, and shutter speed. It beats having to dig through menus in my humble opinion.
🔘 The 35mm 2.0 lens itself is pretty sharp to my eyes, even wide open. RAW files are particularly awesome.
🔘 The ACROS film simulation mode (jpeg only) is maybe the best thing about the camera to me. You can shoot almost anything in ACROS and it looks surreal and historic.
🔘 The flash is useful in a pinch. I use it a lot for sideline shots as I mentioned earlier.
🔘 I almost exclusively use the EVF. It’s so good that my original reason for buying this camera, it having an optional OVF, is a non-issue.
🔘 The camera fits in my pocket and is extremely portable. It’s also so light that I can scarcely feel it dangling around my neckbone.
🔘 The Fuji X100F is 100% silent when the shutter volume is turned off. Dead ass quiet.
🔘 Lastly the little focus knob is swell. It works about as good as the ones on the pro DSLR’s I’ve had the fortune of using.
Thinking of purchasing this camera? Don’t do it! Lol. I want to keep all this bananas awesomeness for myself.
Please support me by buying my classic street-fiction novel available here.
What matters more: photo content or picture quality? What photo has more intrinsic appeal: a grainy photo of a person getting shot in the head at point blank range or a crisp medium format photo of an apple sitting on a kitchen counter?
People seem to prefer interesting content over visually appealing picture quality. Actually, having both at the same time can be a detriment….
Before I begin I must admit: I’m far more shallow and superficial than I might have hoped….
Let’s take the internet for example, which consists of 3 things: photos, video, and text. That’s it. That’s the internet.
With laptops and PC’s declining in sales and tablet sales becoming stagnant, the main way folks consume the internet these days is by using their phones. Phones have made people highly tolerant of inferior photo quality, especially if the photo features a juicy ass, a nice set of boobs, or a cat, in no particular order. This is because people use their phones to record video and snap photos of the above things, often times in bad lighting or with less than professional level cameras mounted on their phones. Actually, there arguably has never been a professional level camera mounted on a phone…
Come to think of it, amateur porn is the reason this is a debate at all. Every time a chick sends you a photo of her rack and you whack off to it you are taking a side in this debate….
Meanwhile, the internet gives us high quality porn and photographers offer their services for top dollar. Premium porn sites sell content that later gets bootlegged and iPhone photo geeks scoff at paying 5000 USD for a wedding shoot. What the marketplace, both the internet consumer and iPhone shooters are saying is that image quality essentially doesn’t matter.
….and we wonder why our basic friends are simply not impressed by our nice, sharp, well composed DSLR photos, and instead like grainy, drunkly composed iPhone St. Patrick’s Day pictures….
This is why Instagram models are so successful. For every person surfing the web on their phones looking for art there are 2600 men searching the hashtag #tittytuesday. Art is secondary to porn, and in turn, image quality is secondary to content. In fact, many men are suspicious of well lit, professional photos on an Instagram models feed. They suspect a sell is coming, and nobody likes “the sell”. We, ahem, they are more amenable to poorly lit bathroom and bedroom photos where the model is wearing her often worn night clothes…
A nice painting is probably not as desirable as a nice blowjob I suppose, even though the painting normally costs more….
We photographers spend thousands on our cameras and even more on an array of sharp lenses and we only have 900 followers on Instagram and 300 on twitter while some chick in her moms basement using a Galaxy Note has 200k followers on IG and a respectable 24k on twitter, even though she never does more than post photos….
Why the fuck are we buying all this gear? Are the camera companies mind fucking us? If you shoot weddings or funerals or school photos I get it, but most of us don’t shoot shit besides street photos and our reluctant family members who we are afraid to tell how much we paid for our gear….
This is a micro-struggle. The debate over image quality vs. image content will not determine whether or not your city legalizes prostitution. This is small shit in the scheme of things. Still, think about how much grainy amateur porn you whack off too compared to over-produced West Hollywood porn…..
I used to want every pro lens Canon makes, a thousand dollar Gitzo tripod, and two of the latest and greatest Canon camera bodies. Now I want to sell my Canon gear. Now I believe:
“The less gear you own the better. “ ~ RIC RAY
Do not get shit twisted with me. I love gear. I also love women with big boobs and fat asses. A man shouldn’t have too many of those types of gals in his life either, if he is so fortunate to have one at all. In fact one gal is more than enough….
Similarly, one camera and one lens will suffice for most general photographic purposes, unless you are doing professional work. If you own a compact camera like my Fujifilm X100F that’s all the better.
God save the poor fuck staying up late nights dreaming of gear….
At the end of months of gear research, the prospective gear buyer arrives at the sterling conclusion that he MUST buy camera X. He has studied many online gear forums and has read and watched dozens of reviews. He has developed a budget so he can reasonably afford the camera. In fact, he has applied reason so thoroughly that reason has given way to a passionate, almost scientific defense of his camera choice. When challenged about his choice, he speaks as if he already owns the camera.
There is nothing wrong with this, but in truth nobody should buy a camera or lens because of rationality alone. How the piece of kit looks, feels, and how it makes you feel is as important as burst rate, 4K video, and image quality. Indeed any camera will take a fine photo theses days much like any gun can kill a person, but since that is the case I think it is better to buy something that inspires you as opposed to the “best tool for the job” if these two criterion don’t intersect. This is partly why I detest Sony as a camera maker, because however great their cameras may be, they seem to hoist function over form.
I understand that a pro sports shooter needs something that focuses swiftly and shoots a lot of photos equally as fast. I get it that wedding shooters need low light champion cameras that can focus in near darkness reliably. These shooters may choose function over form. Still, there are plenty of shooters tackling weddings with elegant yet hard to use digital rangefinder Leica’s and film cameras….
I can honestly say I don’t want another piece of camera gear right now. I’m good. Maybe if Leica drops the price on the Q or if a new similar camera comes out from them or a full frame Fuji compact then I’d start planning my budgets again. I still have my Canon 5d3 with the 70-200 2.8 IS II to shoot sports with. Between my two bodies I could probably cover a large number of paid events but fuck all that. I’ve been on that train of thought. It is too easy to surrender to gear lusting. It is way too tempting to put off shooting photos now and surrender to watching gear porn on YouTube while mentally assembling a kit you will hopefully complete a year in the future.
I know I often defend GAS. This is a bit of a departure from that. I’m not being passionate or speaking from a lectern here today. These are more random thoughts than anything. In fact, let me get the fuck out of here like this:
“It is man’s natural sickness to believe that he possesses the truth.” ~ Blaise Pascal
The fujifilm X100F is nearly flawless for its intended uses. This camera is the real fucking deal here folks. It may not be the “all time greatest” compact mirrorless camera, but it is the second best of all time, behind a certain Leica camera I will not mention by name…
Many of us have been shooting with DSLR’s, and though they perform very well and are ubiquitous, a lot of times we wish we had something equally as powerful but a hell of a lot smaller. I’m a street photographer. I shot with a Canon 70D and then a 5d Mark III in the streets. This was great as far as autofocus speed and lens choices are concerned, but those are some big bitches, those cameras. Coupled with a 135L and then the 50 1.2L…it was a chore to carry those kits around. It got to a point where I didn’t want to do it anymore. I was like: fuck it, I need something smaller.
Smaller historically has mostly meant “image quality compromise” when it comes to camera selection. For example, the image quality available from a huge $50k Hasselblad will be better (in theory) than the image quality I can get from a Nikon D750 (nothing against the D750). This is due to the sensor size (medium format vs full frame) of course. When looking at camera choices, I immediately realized that even though I wanted something powerful, I needed to go as small as possible if I was going to actually use this new camera every day and not just when I felt like it. That was my first consideration: I wanted to buy a camera (or camera system, more on that later) that I would actually carry with me everywhere I travel daily. A secondary thought when making that consideration was whether or not I wanted a “point and shoot” style unibody, or did I want a small camera system with small lenses, such as those expensive cameras and lenses the Germans make. This consideration took a few months to sort through.
The next consideration was price. A camera too cheap will be so inferior to my Canon system that I will feel buyers remorse, and a camera that is too expensive will be like carrying a huge diamond with me in public. I’d be paranoid about losing it and would dread having to replace it. Don’t let people bullshit you: price is definitely a factor in these decisions and not just the “can you afford it?” calculation. The proper way to express that calculation is: can you easily afford to replace it?
So I decided to get the Fuji X100F here, and made a big fucking deal of it, as if my decisions matter in the scheme of the planet. With no further bullshit…here is my review!
Let me cut to the chase. The image quality from this cameras is very very good. I totally prefer the X100F jpegs over the jpegs coming out of my Canon 5d Mark III. These Fuji jpegs are superb. As of this blog entry Adobe hasn’t updated camera RAW so I can’t process RAW files in Lightroom without doing a bunch of bullshit workarounds. Fuck that. I’ll wait.
Are there some issues that suck about the images I get from this camera? Maybe. Really it’s an issue with Fuji X-Tran sensor cameras in general, and is summed up in three words: waxy skin jpegs. That’s it. Other than the fact that at higher ISO’s (above 800), white people look like they are made of plastic when you shoot color jpegs, there are no issues to speak of.
Notice I’m leaving out specs here. Fuck specs. The camera has an APS-C sensor and around 24 megapixels of resolution. If you want more specs then google them.
The high ISO performance of this camera is pretty good to my eyes, with fine grain appearing prevalent around 6400 or so. The grain (which can be included or excluded artificially) from this camera is decisively unlike the color crazy “noise” you get from your run of the mill DSLR at higher ISO.
You can hand-hold this little fucker to about 1/60 with no problems and get images that are crazy sharp. The camera doesn’t have image stabilization, like that unmentioned Leica does, but mirrorless cameras don’t have a slapping mirror to complicate the process and work against the hand-hold-ability of the camera using slower shutter speeds.
The camera has a noise reduction engine which is weirdly cranked up by default. I suggest turning it down (to between -1 to -4) before you take your first jpeg photo.
One of the coolest features in the history of digital cameras is the film simulations offered by Fuji cameras (including their new GFX medium format camera). These simulations are sublime. I use ACROS, which is a contrasty black-and-white sim. Most people use ACROS and the faded color look called Classic Chrome (and by most people I mean everybody)….
Bottom line is: if you have a big ass DSLR and are afraid switching to Fuji will hurt your Instagram follower count… it wont. Buy the camera. You’ll be fine…..
Build and Handling:
When the pretty counter-girl at Service Photo in Baltimore handed me the Fuji X100F box on February 23rd 2017, I stood there stunned at how miniature the camera was once I unboxed it. The camera is TINY. My iPhone 6S+ is both wider and longer than the X100F. My iPhone doesn’t weigh more though. The X100F is meaty, and holding it betrays the fact that the intended use for this camera is heavy street and travel work. There is a lot of tech packed into this little weapon, and you can feel it when you hold it. I opted for the all black version, but it also comes in hipster-grey, or whatever it’s called. Regardless of color scheme choice, the camera itself is an analog throwback celebration of dials and switches, but is as well the peak of modernity with its glass LCD screen and high-tech hybrid viewfinder (more on that in the autofocus portion).
The lens, which I have not mentioned until now, is the same lens that has been on this model of camera since its inception with the original X100 (or at least the X100S). In my opinion the lens is fine. Pinned against the body is a 1/3 of a stop clicking sliver of an aperture ring that is thrilling to turn. Next, and I have to say this: that “control ring” is some bullshit. It spins too freely and is wasted in jpeg-only mode, where it controls stuff like the built in teleconverter (35, 50, and 70mm options–all at 24mp) and lets you choose between the film simulation modes, in addition to two other options I cant remember. Enabling Fine (jpeg) + RAW disables these annoying choices and returns the control ring to its intuitive function of being a focus ring. In Fine + Jpeg the control ring is also a parallax correction ring, when you are shooting stuff that is very close.
The camera comes with a strap which I will never use. I got one of those trendy rope straps instead. If anybody wants a free Fuji strap then hit me up (I’m lying).
I am a bit confused as to how to affix a 49mm clear filter on the front of this puppy. Thats the filter size. The X100F comes with a lens cap that pops on and off and looks terribly awesome.
This may be the best looking camera on the market today. There are simply no bad angles about this camera.
Handling is fine unless your phallus beaters are particularly large. The button layout on the back of the camera is a bit tight on the right side, and some users have complained about the placement of the Q button. It’s also easy as fuck to bump the exposure compensation dial off the zero setting, so be mindful of that as you toss the little camera about.
That Leica camera I promised not to mention is fast as shit to attain focus and fire. I tested it and was blown away. Amazingly, this little Fuji is almost as fast if not equally so. It’s quick. I can use one hand to attain focus, fire with professional precision, and keep it moving all in less than a second and a half. The camera does take a nervous second or two to wake up, but I have a feeling this has more to do with the time it takes the “eye detection” function of the viewfinder to kick in than actual wake-up time. I probably just need more practice with this particular camera. My number one personal focus is speed.
There are the standard modes of autofocus. Continuous, Single shot, and Manual. Choose whichever one you prefer. I refrain from the continuous shot mode because, honestly, I shoot Canon and these little mirrorless jobs are not on that level yet as far as tracking swiftly moving subjects are concerned. This isn’t a sports camera by any means, but it can nail a shot here or there of something in fast motion that will surprise you.
Shot out to the ambassador of Street Photography Eric Kim. That guy. The more I get into this street photography thing, and become a God at it, the more I realize that kid knows exactly what the fuck he’s talking about. In this case I’m speaking about using the LCD to shoot. With a Canon 5d Mark III, it isn’t practical to use the LCD to shoot. It’s possible but not practical. With this Fuji X100F I use the LCD by default. It’s fast and brilliant. I’m in my car and I see something and BAM. I can shoot it without having to guess or manually switch shooting/viewing modes. I see the final exposure right there on the screen. Now I see why many shooters go for the Ricoh GR.
As for the viewfinder, here is where novelty meets practicality. The EVF I would rate as average. It doesn’t seem as fast or nice as the one in that Leica camera, but it does the job well. There is a bit of a lag though, but it is a practical and useful EVF. The OVF function is very nice, but it seems sort of novel and unreliable as far as your certainty of nailing focus. It’s addictive though, and is great to use for we Canon/Nikon monkeys who already know how a photo will turn out exposure-wise because of our settings. I’d say the OVF is more for advanced photographers and the EVF is the easier viewfinder mode to use, just slower. I use the OVF and the LCD, for the record….
The AEL/AFL button is maybe an 8th of an inch too far to the left. It works fine if back button focus is your thing. I said I would start using a half-shutter press once I got this camera and that’s what I have been doing. I use 100% back button focus on my Canon. You can set the AFL to any of maybe 8 buttons on the X100F, so no need to fret if your hands are poorly sized for this camera. If you got those Donald Trump sized hands though you’ll be fine…
What is that?
Battery and Storage:
The X100F has one SD slot. The card slot is sketchy to me (it gave me an error the FIRST time I tried to reinsert my SD card after dumping images with my card reader) so now I tend to upload images using the USB cable. It comes with a charger, the camera does. You can also charge the battery using the USB cable by plugging the camera up to a computer or any USB charger, which is super fucking dope awesome. This camera takes the same battery as the X-Pro2 and the X-T2. You get maybe 300-400 shots on one charge. Not bad really. I have 2 batteries but have yet to need the second one. If I were using this camera for a wedding (as a 2nd body) I’d likely have maybe 3 batteries and one in the clip, totaling 4.
The Fujifilm X100F costs $1299 new. You get a lens already anchored to the body. That’s important. You see, guys like me with GAS would buy 6 lenses if the X100F didn’t have a lens already rooted onto the front of it. This is important as it takes much of your temptation away. To this day I randomly log into Amazon to look at cameras before realizing I don’t really need anything……
In this price range? The Ricoh GR reportedly has better image quality and is cheaper to boot. No viewfinder though. More expensive? That Leica camera and the Sony RX cameras are luxury greatness. Other than that you have to get a whole new camera system and scout for lenses and troll over DXO lens sharpness tests and all that bullshit. With a compact camera all you have to do is shoot.