The Streets Lately



I haven’t been “gunning” much street photography as of late….


Reason being: I love shooting models AND, to be honest, I don’t vibe with the respected professionals out there who call themselves street photographers.


Being a geek is fine. I’m not a geek however. I’m from the ghetto. I ride a black Harley-Davidson. I have a criminal record. I’ve shot guns at people in the streets and have sold my fair share of narcotics.


I know I’ve said before that being a street guy makes me a better street photographer. This is probably true. I’m a good street photographer. Turns out I’m a better glamour/fashion photographer though….


I also LOVE shooting females. Love it. There is little more I’d rather do on a Sunday besides shooting with a pretty lady and then editing the photos later on my iMac.


Will I shoot more street shots? Of course I will sooner or later. I AM the streets. Right now though I’m doing other shit and having fun doing it. It’s not like anybody was paying much attention to my street stuff anyhow. I’m invisible. We all are, most of us at least. The internet is oversaturated with street photos. There can never be enough photos of pretty women though…Ever.




I haven’t been watching football on Sundays this year.


Who knows?

I have been shooting aspiring models and friends though.


The Weak End of Summer…

There were no 100 degree days this summer.

I’m not saying global warming is wrong, but back in the 90’s I recall consecutive summers in Baltimore and Georgia where the thermometer read 100 degrees or above.

The current/past summer was muggy yes. Hot? Not really to me.

I switched companies that I shoot sports for. (If you want to know to whom I switched check my Facebook page or something) Shooting sports is fun but the money is drying up pretty quickly. Fewer and fewer parents are willing to buy prints of their kid once he or she (the parent) leaves an event, and those photo tents you see at tournaments aren’t as lucrative as they once may have been. Couple that with newspapers and magazines dying slowly, and there really isn’t a major demand for sports photos. I see parents and high school students with semi-pro gear on the sidelines now all the time. They may not have the passion and skill to produce high level sports compositions, but that camera and lens they now hold represents the money they would have spent on professional photos perhaps…..

Sports are in full swing though. I’m booked to shoot every weekday afternoon (after my main job) up till probably the first week of November. I’m also shooting models now until kingdom come, and will probably miss many Sundays in front of the tube watching the Redzone channel because of it. Sundays are great to shoot models for that reason however. It’s a dead day in the city for foot traffic and that’s a perfect environment to shoot in….

MICROSTRUGGLER is nearly a year old. I mainly like to shoot women and that’s what this blog will be about moving forward: photos and women…..


Model on Instagram is @myrlanis_

She only accepts followers who follow me first….

My IG is @rickyray73

Tee shirt available here.

FUJI X100F – 6 Month Review


I like this little camera. Model Ana Rivera ain’t bad either.

So it has been 6 months since the Fuji X100F debuted and I of course purchased the first one sold in my city of Baltimore. In fact, I have yet to see another X100F in Baltimore, but I digress. Since I bought the camera I’ve shot ~5000 photos and spent untold lunch breaks going through the menus. I’ve shot sports sidelines, pretty models, and I’ve shot and killed streets. I’ve hooked up an external flash, more on that later, and have fallen in love with using the LCD only to shoot.


I started out with this camera thinking I could shoot jpegs using those cute film simulation modes. I really tried to make it work too. My favorite one is ACROS (followed by Classic Chrome). I used ACROS a lot. I knew though, that sometimes I needed to record a scene in color so I quickly started shooting RAW + Jpegs to my card, which slows my Lightroom flow down, but it was manageable. Then, at some point, I downloaded the fuji film simulation plugins from some damn place on the internet and installed it in Lightroom. That way I could change a Fuji (only Fuji) RAW file to the Classic Chrome look if I wanted, or whatever. After a while I figured there really is no fucking difference between the in-camera jpeg film simulations and the Lightroom plugin camera conversions, AND I noticed that Fuji RAW files have a shit ton of dynamic range. I shoot all RAW now. Fuck it. Those in-camera film simulation modes are too cute for me…

I never understood or cared about having a leaf shutter until I started shooting sidelines at sporting events. I normally shoot 1/1000 F5.6 and auto ISO range 200-800 during the day for streets. When I’m shooting events I turn on the built-in fill flash just for shits and giggles. This is when I discovered that I could overpower the sun and create these hauntingly half dark images. I continued this trend later shooting models using an external flash….

The image quality beats the unholy fuck out of my Canon 5d Mark III, even when the DSLR is coupled with the world class 70-200 2.8 IS II lens. This little Fuji point-and-shoot compact beats it handily as far as micro contrast and sharpness is concerned. RAW to RAW the Fuji wins handily when it comes to dynamic range for both shadow pulling AND highlight recovery. Colors are more of a taste thing, but I find Fuji colors to be more accurate than Canon, even though Canon’s colors are warm and lovely.

The face detection works reasonably well, and it will even detect a models eye (left or right depending on your chosen setting) when it feels like it.


This is most likely the finest street photography camera ever made.

Models and subjects smile at this camera, as opposed to my big ass Canon which makes folks get all serious or run away.


The afl/ael button is useless and positioned horribly. I have reassigned it to change my focus type.

The control ring concept is so horrid that I try my best to never touch the lens unless I’m changing apertures.

What the fuck is up with Fuji and off camera flash? Nothing works right. I can get my Canon (actually a Pixel Mago) flash to fire in manual using a chord that I have to jiggle and pray to get it to work. When it works the results are good though. I’m getting the X-T2 and some lenses soon as well as this new Godox flash trigger and flash unit that’s supposed to work with Fuji TTL and HSS and do it all wireless. We shall see…

I hate the view mode button. God forbid you ever hit that bitch by accident and spend an hour thinking your camera is malfunctioning. Perhaps I’m just an idiot but still….


This camera is a nice intro into the Fuji universe and also has a leaf shutter. That’s the deal. The jpegs are good but overrated. The RAW files are superb. It’s compact yet made of steel. It’s sharp as fuck. It’s silent. The autofocus is good in single shot mode. If you’re a street photographer this camera is superior to almost any camera you can buy besides a manual focus Leica and maybe my beloved Leica Q. None of those cameras have a fill flash though. This one does….

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Model: Ana Rivera @myrlanis_ on Instagram.

The 2017 Summer Has Been Boring AF


This summer, for some reason that goes beyond me being an old shut-in, has been boring.

I’ve ridden my motorcycle as much as makes sense given the Seattle-like climate that seems to hang over the mid-Atlantic region each summer. Still, there is no place to ride. Nothing is happening. I can’t ride to go shopping. I need a trunk for that. Shopping isn’t really fun unless you’re rich or maniacal anyhow….

I have an advertising shoot with a young Puerto-Rican model for my line of T-Shirts coming up next weekend. I’ll keep you posted on that. Still, even though I love taking photos, it’s work. It’s not guilty, ignorant fun. I want THAT. The ignorant shit.


I’m getting old. My romantic engine is showing it’s age and struggles to get started most days. My sufferance of fools and friends is at an all time low. Despite this, my overall temperament feels jovial. I’m not brooding.


I need activities. I’ve taken some pretty neat photos this summer. A handful of winners maybe, but thats all that can be expected. My X100F remains a solid choice of mine. It’s the greatest street photography camera of all time perhaps.


As I’m trying to transition into being a full-time photographer and do it MY WAY, I find myself treading water most months financially. A monetary breakthrough would be nice. With my checkered past, age, and tendency to be self reliant we shall see….



Street Photography is Paperless

Ain’t no money in this thing here bruh.


Street photography isn’t a genre where you’re going to work your way up to being rich. Nope. You wont make ANY money shooting street photography. None. You wont sell a single print. You wont book a single magazine gig. Nothing. The best you’ll do is host seminars and become famous for those seminars. You can blog about it, like I’m doing, and maybe eventually it will segue into other genres of photography that actually pay. Otherwise, this is art in the purest sense. You shoot the streets because you love shooting the streets. If you are in it for any other reason then you are lost.


With that being said, street photography is a fine beginners genre. You will learn a lot of useful skills. Mainly, you will learn to shoot moving subjects. This is valuable if you end up shooting sports or weddings or other types of live events. You also will learn your camera and how to adjust it to suit the scene in front of you. The street is not the studio, and the light is generated by God and not an Einstein strobe. As the natural light changes or vanishes, your settings must change also, so you’ll become a master at that. In addition to learning your camera, you’ll also develop a steady hand as you combat camera shake with your non-stabilized 24mm to 50mm prime lens, and you’ll learn a lot about photo editing, which is no less than half of the photographic process.


You can dream as big as you want, and there are no hard-and-fast rules as to what can and cannot happen in your career, but if you’re looking to get rich off street photography, look elsewhere. Street photography is a labor of love, and the best you can expect is a ton of Instagram followers and perhaps some proceeds from awards you may win when you enter contests. Other than that you know the drill: Stay low and keep shooting!

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