STREET PHOTOGRAPHY: Sharing is Caring?

Instagram has started shadowbanning people. 

Don’t know what shadowbanning is? Google it. The thumbnail sketch goes like this: Instagram makes you think people are seeing your post when you use hashtags, and when you check the hashtags yourself your post is visible, but others cannot see your post when they search for that hashtag. 

Instagram is mind-fucking you. They want you to think your post and hashtags are reaching new users, but in fact only your followers can see your post. 

That’s some dastardly shit. 

Reportedly, other social media outlets shadowban users. Twitter has been allegedly doing it for years. My issue with it is just one of disappointment. Sure, Instagram is free and the owners can do whatever they like, but it’s just that I’m running out of ideas of how and where to share my street photos online and potentially be exposed to folks I don’t already know in the process. Should any of this matter to me on a personal or even a professional level? Nah. Still, it’s fun to share photos and gain followers and get likes and all. People may hate on the idea in principle but who cares if an activity is important or not if that activity is fun? Everything a photographer does doesn’t have to be part of some Machiavellian scheme for world photographic dominance. It’s perfectly fine to get a kick out of people “liking” your photos, even if folks generally like “everything” and aren’t really interacting with your portfolio. 

I don’t understand Snapchat at all for the record….

At any rate, Flickr seems to filled with foreigners and old people. Facebook is over-saturated. Twitter is for famous people and to find out if somebody is really dead. Instagram has started shadowbanning users. Great. Just fucking great. I am in the streets shooting, interacting with people every day. It would be nice if it didn’t end there. It would be nice if there were some allowable enjoyment to be had via street photography besides the act of taking the photos themselves…..

I care about street photography and sharing is caring. We shouldn’t all have to be like Vivian Meyer and have our entire portfolio discovered after we are long dead….

Exit. 

STREET PHOTOGRAPHY: The Art of Disrespect 

Nobody respects us. 

The minute you tell a so-called “professional” photographer that you shoot street, they immediately think you’re an amateur. Of course they might be right, but never mind that. The thing that so-called and especially “wanna-be” professional photographers fail to grasp is that most of us shoot street because it’s fun. We know it doesn’t generate income. We are fine with that…

I’ve been challenged by many photographers who swear they know composition, shooting strategy and have mastered editing. Most (and by most I mean none) don’t know that I also am sports photojournalist and have been doing it for years. My editing and delivery standards for my “pro” work is worlds apart from what I generate in my personal street projects. This leap in logic is apparently beyond the old film guys and young hustling coons I run across in various Facebook groups. They refuse to believe that people can enjoy being liberal in their artistic persuits, but be very conservative in their professional persuits. People do it all the time. Eddie Money was an honorable NYC cop before he became an 80’s radio rock overlord. It’s called balance.

Maybe I’m just upset that photographers love playing the critic role way too often, as if their own work is more than marginal or derivative. If you like shooting black and white photos of flowers đŸŒș then that is entirely up to you. If I don’t like it I don’t feel the need to be critical of you. It’s your shit. Do you. I don’t have clairvoyance to be able to predict what great art will be. All I know is the rules and that I should break them whenever the fuck I feel like it….

Exit. 

PHOTOGRAPHY: The Black Camera Ambassador 

I’m going to keep this short because, well, I know my audience is basically a bunch of beer drinking white guys. I’m fine with that. Underneath my black skin and aside from sobriety, I’m basically a beer chugging white dude myself. I find something troubling however: 

There is an alarming paucity of black/African-American camera brand ambassadors…. 

I know bruh, it’s not your fault, but hear me out. 

I don’t know why the fuck this is. A number of black shooters are accomplished professionals right? It’s not like black photographers don’t spend a small fortune on camera gear like any other subculture does, but I have an impossibly hard time finding a black brand ambassador for ANY camera brand I can think of. 

Canon? Nah. Fuji? Nope. Leica? Lol! Really?

Late 80’s shooting Ricky Ray style….
I’m sure folks can point me in the direction of a few black guys who get to try out new cameras before they are released and shit like that. I’d appreciate info about them. I suspect they are coons and ass-kissers but I can surely be wrong. I’m keeping an open mind….

Maybe black folks are seen as criminals. Fuji probably thinks I’ll run off with an unreleased camera and disappear or some fuckery like that. Funny how I see so many white and Asian brand ambassadors on YouTube though…. and hardly any women either, regardless of race.

 

This is perhaps a micro-struggle, but it speaks to a larger problem in society. I don’t want to infuriate my loyal readers but I guess I’ll have to wait for you to preview new gear on the web before I buy it because it will never be me. I was born on the wrong side of the color palate. 

Exit.