STREET PHOTOGRAPHY: The Art of Disrespect 

Nobody respects us. 

The minute you tell a so-called “professional” photographer that you shoot street, they immediately think you’re an amateur. Of course they might be right, but never mind that. The thing that so-called and especially “wanna-be” professional photographers fail to grasp is that most of us shoot street because it’s fun. We know it doesn’t generate income. We are fine with that…

I’ve been challenged by many photographers who swear they know composition, shooting strategy and have mastered editing. Most (and by most I mean none) don’t know that I also am sports photojournalist and have been doing it for years. My editing and delivery standards for my “pro” work is worlds apart from what I generate in my personal street projects. This leap in logic is apparently beyond the old film guys and young hustling coons I run across in various Facebook groups. They refuse to believe that people can enjoy being liberal in their artistic persuits, but be very conservative in their professional persuits. People do it all the time. Eddie Money was an honorable NYC cop before he became an 80’s radio rock overlord. It’s called balance.

Maybe I’m just upset that photographers love playing the critic role way too often, as if their own work is more than marginal or derivative. If you like shooting black and white photos of flowers 🌺 then that is entirely up to you. If I don’t like it I don’t feel the need to be critical of you. It’s your shit. Do you. I don’t have clairvoyance to be able to predict what great art will be. All I know is the rules and that I should break them whenever the fuck I feel like it….

Exit. 

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