Here is a list of 10 random things I like ❤️ love about my Fujifilm X100F…
🔘 The X100F autofocus is accurate and fast. I was worried it might be a bit sluggish when compared to the Panasonic/Leica Q. No worry needed though. It’s zippy fast!
🔘 The X100F is quite useful to me for sideline shots when I shoot sports. So useful in fact that I prefer using it over having a standard two DSLR setup. No need for a 35mm lens on my 5D mark III when my X100F has a great 35mm equivalent lens and a filler flash to boot!
🔘 I love having analog style dials for my ISO, exposure compensation, aperture, and shutter speed. It beats having to dig through menus in my humble opinion.
🔘 The 35mm 2.0 lens itself is pretty sharp to my eyes, even wide open. RAW files are particularly awesome.
🔘 The ACROS film simulation mode (jpeg only) is maybe the best thing about the camera to me. You can shoot almost anything in ACROS and it looks surreal and historic.
🔘 The flash is useful in a pinch. I use it a lot for sideline shots as I mentioned earlier.
🔘 I almost exclusively use the EVF. It’s so good that my original reason for buying this camera, it having an optional OVF, is a non-issue.
🔘 The camera fits in my pocket and is extremely portable. It’s also so light that I can scarcely feel it dangling around my neckbone.
🔘 The Fuji X100F is 100% silent when the shutter volume is turned off. Dead ass quiet.
🔘 Lastly the little focus knob is swell. It works about as good as the ones on the pro DSLR’s I’ve had the fortune of using.
Thinking of purchasing this camera? Don’t do it! Lol. I want to keep all this bananas awesomeness for myself.
Please support me by buying my classic street-fiction novel available here.
Somehow. Some way. I am getting the Canon 1DX Mark II.
This isn’t GAS. I need it.
My Canon 5D Mark III is awesome and everything, especially with a 70-200 2.8 IS II on the front of it, but for fucks sake it’s so slow at 6 fps. It feels like 1 fps really.
I shot a massive soccer tournament last weekend, a total of 57 games. Um, I really could have used the 14 fps that the 1DX II offers. This is really about speed people. The image quality from my 5d3 will probably prove to be a hair better in daylight shooting. For my upcoming night football this fall, and volleyball as well, the 1dx 2 should fare better when I push up the ISO.
The 1dx 2 is expensive as fuck. It’s $5999, which is basically a billion dollars….
Still, it’s for business purposes only. I have my Fuji X100F for street stuff and even casual portraiture. I’ll likely keep the 5d3 for any major portrait work that pops up, or god forbid a goddamn wedding or something…
Quick 1dx 2 specs: 20.5 megapixels. 61 focus points with 41 cross type (same as my 5d3 basically). Faster focus acquisition and better and more reliable focusing in low light. Built like a weapon. That’s it really besides the burst rate. Well, there’s the “my camera is better than yours” factor I’ll feel when facing every person I meet along the sidelines, regardless of what they have if it’s not my camera.
I’d love to get it by the start of football/soccer/volleyball/cross country season in the fall but most likely it will be around Christmas if that soon. Once again this isn’t GAS. This isn’t me wanting the 2 year old mirrorless Leica Q for $4300 or the slow focusing medium format Hassleblad X1D for $9000. This is strictly business, as I’ll likely not even touch the 1dx 2 when not shooting sports. I’ll keep you posted as I get closer to my purchase date.
Oh….before I exit. That Sony A9? Lol. The sonofabitch has overheating issues in STILLS mode! Wow. If that proves to be a permanent feature of the camera then it’s dead to me. Well, deader than it already is, being a Sony….
I was born in May. If that were not the case, if somehow I were born in March, then I’d hate May. I mean, at least on the east coast of the United States, May is pathetic.
Rain Rain go away and all that bullshit. Sure, shooting street photography in the rain ☔️ can be fun sometimes, but only as a novelty. I’m a sun baby. That’s probably why I long to move to Phoenix. I could live there, sunbathing (baking) in 100 degree heat all year round, happily shooting photos and smoking California weed all day.
Also, I can’t ride my motorcycle as often as I’d like when it rains so much. It just sucks all around, May does. May isn’t as bad as April though, where pollen and allergies force me to contemplate suicide annually. May is just a wet, trashy mess and I just happen to have been born in May so unfortunately I can’t hate it.
Oh well. I’ll snap photos of what interests me in this mucky weather until summer arrives, if it ever does. Day after day of incessant rain and one can’t be sure anymore. If you find yourself bored on a rainy day you can check out my book Tiny Daggers in my Heart, which was published in 2011 and is available in very limited quantities on Amazon here.
I sort of buried the lead with the whole “switching to mirrorless for street photography” thing. I also switched focal legnths, which has in some ways changed the “look” of my photos.
I shot for a few years with a 50mm lens and loved it. Hell, I still love it, but the new direction I went in with this luxury point-and-shoot kind of forced me to change up my focal length philosophy a bit. Sure, my new Fujifilm X100F has a 50mm “mode” I can shoot in but that feels more like a gimmick AND I can’t shoot raw in that mode, which makes it useless to me. Even my beloved Leica Q has a 50mm mode, but that too is a jpeg-only gimmick.
My Fuji has a neat and tiny 35mm equivalent lens forever fixed to the front of it (it’s really a 23mm with a crop factor). The thing is, I actually like shooting with it. Those who have shot both 50 and 35 may already know the main reasons. One reason is 35 allows me to stuff more shit into the frame. Shooting 35mm as opposed to 50mm means I get more depth of field and can see more of the background when I shoot at wider apertures. Also the whole setup, my lens and camera, is so tiny and convenient, as opposed to my fat ass 50mm Canon L lens which weighs more by itself than my X100F does, lens included.
I do have to get closer to my subjects using a 35, which sucks sometimes, but that’s a minor complaint. As a street photographer, our goal should be to get closer to our subjects anyhow. The 35mm lens forces the issue a bit. Overall I enjoy the switch in focal lengths and I like the look of my photos recently. I hope you folks do as well…
I’ve been busy launching a new business venture, settling into a new relationship, and generally shooting less lately now that spring school sports has ended. I have some potential gigs lined up to shoot over the summer, but besides that let me give you 7 random things from my brain meat….
▪️ Sony has made their move to take over the professional photography market. You may not notice it now, but I think the modern DSLR is dead….
▪️ This might be the worst allergy season I’ve experienced in my life. Brutal….
▪️ After sniffing around I’ve discovered stock photography is not worth the time, money and effort required to make a decent bit of coin from it.
▪️ Even though my current boss at my day job is cool as fuck, I hate nothing more than having to answer to a boss in the first place. I really want to work for myself.
▪️ I am not at all interested or excited about the newest iPhone coming in a few months, despite the fact that it’s near time to upgrade my phone. I love apple of course, but I’m not excited in the slightest.
▪️ No GAS for me lately. I’m still getting the Leica Q and the Hasselblax X1D though, but there is no real timetable set.
▪️ My birthday was May 2. I was born the same year as the former twin towers in NYC. Do the math.
Being a blogger, I am well aware of the need for stock photography. Not that I need stock photos for what I do, I normally use my own self-taken photos, but I can see how non-photographers might be in a tight spot without access to stock photos. As for myself and my eternal desire to earn more green fabrics, I am contemplating shooting stock photos and posting them to one of the sites that play middle-man between we shooters and potential buyers. My main question is: do people still make money doing this?
Oversaturation has smashed almost every online money scheme imaginable. Do you want to sell sneakers? If you do then be prepared to compete with hundreds of already established sneaker sites doing the same. Do you want to sell arts and crafts? ETSY.com has thousands upon thousands of folks already selling all types of shit, with mixed to poor fiscal results on average. Even more involved processes such as app development have ferocious online competition. This is especially true for modern photography as a whole, including stock photography, the competition part. There are millions of stock photos already available online with thousands being added each hour. For every person reportedly making 50k annually on GettyImages there are thousands of poor guys and gals earning somewhere in the neighborhood of 7 bucks a month or less on some lesser site. It’s savage out there…
Still, something about the prospect of passive income has always attracted me. I am paranoid monetarily and only feel secure when I am able to earn a living from multiple streams of cash. I do not like to load all of my income eggs into one basket, so to speak. Thus, even though I’m not terribly excited about the prospect of uploading 10k images on istockphoto, I would appreciate say…. an extra 200 bucks per month or so, especially if I didn’t have to book clients, drive to and shoot sports, or deal with diva models. I could make a lot more of course if I am lucky and good, but I’m trying to be bearish here.
Do any of you folks shoot stock? A Facebook chum of mine shoots stock for Getty and she claims to be doing nicely. She even earned enough to buy the mirrorless Hasselblad X1D and a 45mm lens (around 12k worth of gear). Nothing beats a good try right? I’d appreciate some good stock tips here…..
With the recent announcement of the Sony A9 mirrorless camera I’ve been wondering when I’ll make the big switch and go all mirrorless. Up until now, going all mirrorless has not been a serious option for me because Sony and Fuji and other serious mirrorless makers don’t make professional level bodies and lenses for sports.
Sure, a good, well prepared shooter can probably use a pair of Sony a7rII’s to shoot a wedding or a concert, and there is a nice selection of glass available in the wide angle to medium telephoto ranges for that stuff. There is no, say, 400mm 2.8 offered by Sony or Fuji however. Canon and Nikon have several versions of lenses in this focal length going back decades. That’s always been the main point of contention for me changing my sports kit over to mirrorless. There is no fast and long telephoto glass to be had.
There’s also battery life, which is still far better in a DSLR. I’m talking 3 times as good battery life on average between a pro level DSLR and an alleged pro level mirrorless like the A9 and the Fuji XT-2. Another main thing though, is AF speed and accuracy. This is where mirrorless has been making dramatic strides. It seems that the A9 has AF speed on par with the pro level Canon and Nikon DSLR’s, though this remains to be seen….
A Sony pro body is bound to crush Nikon and Canon is the area of low light and dynamic range, partly because Sony makes the lion share of Nikon sensors these days and holds back the really aggressive tech for their own bodies, and Canon has never seemed to be too concerned with dynamic range, although they have decent noise levels at high ISO’s on some bodies. Sony also has apparently eliminated the “blackout” that happens when continuous shooting with a typical mirrorless body. Also the A9 apparently shoots a disgusting 20fps RAW. It can do this in 100% silent mode. That’s insane!
Will I trade in my Canon sports gear and go full on mirrorless? That remains to be seen. I want to for some reason. It’s not that I hate my Canon gear, or GAS, but more that I feel I’m stapled to outdated tech. Fastened to it. Maybe when Fuji makes a full frame sports camera or fuck it, I may go with a Sony even though I hate them. Some long prime fast glass for these mirrorless jobs wouldn’t hurt either…
Don’t know what shadowbanning is? Google it. The thumbnail sketch goes like this: Instagram makes you think people are seeing your post when you use hashtags, and when you check the hashtags yourself your post is visible, but others cannot see your post when they search for that hashtag.
Instagram is mind-fucking you. They want you to think your post and hashtags are reaching new users, but in fact only your followers can see your post.
That’s some dastardly shit.
Reportedly, other social media outlets shadowban users. Twitter has been allegedly doing it for years. My issue with it is just one of disappointment. Sure, Instagram is free and the owners can do whatever they like, but it’s just that I’m running out of ideas of how and where to share my street photos online and potentially be exposed to folks I don’t already know in the process. Should any of this matter to me on a personal or even a professional level? Nah. Still, it’s fun to share photos and gain followers and get likes and all. People may hate on the idea in principle but who cares if an activity is important or not if that activity is fun? Everything a photographer does doesn’t have to be part of some Machiavellian scheme for world photographic dominance. It’s perfectly fine to get a kick out of people “liking” your photos, even if folks generally like “everything” and aren’t really interacting with your portfolio.
I don’t understand Snapchat at all for the record….
At any rate, Flickr seems to filled with foreigners and old people. Facebook is over-saturated. Twitter is for famous people and to find out if somebody is really dead. Instagram has started shadowbanning users. Great. Just fucking great. I am in the streets shooting, interacting with people every day. It would be nice if it didn’t end there. It would be nice if there were some allowable enjoyment to be had via street photography besides the act of taking the photos themselves…..
I care about street photography and sharing is caring. We shouldn’t all have to be like Vivian Meyer and have our entire portfolio discovered after we are long dead….